The "Jiuxiao Huanpei" Guqin in the Collection of the National Museum of China
The "Jiuxiao Huanpei" Guqin housed in the National Museum of China is an ancient and exquisitely crafted instrument, truly a rare treasure. The total length of the instrument is 123.5 centimeters, with a shoulder width of 23 centimeters, a tail width of 15 centimeters, and a thickness of 5.6 centimeters. The instrument features a face made of phoenix wood and a base made of catalpa wood. The original lacquer is black, but over time, the lacquer has faded, now resembling the color of chestnut shells, with the red undercoat visible where the lacquer has worn off. The inlays are made of mother-of-pearl, and the core is made of deer antler ash. The entire body exhibits snake-belly and ox-hair crackle patterns. The dragon pond is circular, and the phoenix marsh is oval-shaped, with a slightly raised soundboard. The bridge and tuning pegs are both made of red agate.
On the bottom of the instrument, above the dragon pond, there are four characters inscribed in seal script, reading "Jiuxiao Huanpei." On either side of the dragon pond, there are inscriptions in running cursive script by Zhou Bida of the Southern Song Dynasty, which read: "Crafted by Lei, originating from the Kaiyuan era, treasured by the Feng family, through countless generations. Though I am not a connoisseur, I can still speak of its principles: The heart guides from within, while the hands respond to the strings. Thus, the harmonious sound can inspire the horse to look up, and the focused intent can capture the cicada, but this is not all. Greatly, it can sing the 'Southern Wind'; minimally, it can manage the bamboo father, all within its capabilities." The inscription is signed: "Written by Zhou Bida, the old man of Pingyuan, on the day of Xin Chou in April of the first year of the Jiatai era." Below the dragon pond, there is an inscription of the seal script "Zhonghe Zhi Qi."
This guqin has a warm, strong, and resonant sound, with an extremely ancient and simple form. Since the late Qing Dynasty, it has been admired by guqin players and is regarded as a "prestigious Tang Dynasty artifact" and a "divine instrument." Because it is the most unique and ancient among the surviving Tang Dynasty guqins, with a sound that remains complete, it has become a nationally renowned treasure.
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